Any resemblance between Father and Son is purely hysterical.

" I lost my job, my house and my Rolls Royce; My family left me...What else can possibly go wrong?" "Hi, Dad!"

George Segal plays rich and surly California executive Walter Whitney, who learns out-of-the-blue that he has a 17-year-old black son, in Michael Schultz's lightweight Carbon Copy. When his son Roger Porter (Denzel Washington) arrives, Walter tries to pass him off to his neighbors in the restricted all-white suburb as a sociological experiment. But when he eventually confesses his parenthood to his wife Vivian (Susan Saint James), his world is turned upside down. In a flash, all the trophies of upper-class white respectability are removed -- he loses his job, his credit cards are revoked, and Vivian throws him out of the house. Without the white man's trappings, he is forced to accept the help of downtrodden minorities. When he is compelled to manual labor, Walter comes to understand the troubles his son goes through.

Carbon Copy is a 1981 British-American comedy film, directed by Michael Schultz. The film stars George Segal, Susan Saint James, Jack Warden, and features Denzel Washington in his feature-film debut.

This movie is the first feature film produced by RKO Pictures after a break of many years, though they were only co-distributor with Avco/Embassy Pictures and Hemdale Film Corpration.

Roger Porter (Washington) is the long-lost black son of Walter Whitney (Segal), a respectable businessman who lives in the all-white community of San Marino, California. Walter, who is Jewish, has been hiding that fact for purposes of professional advancement in the business which his anti-Semitic father-in-law (Warden) heads.

Once Roger turns up at Walter's office, it turns out that he is the result of Walter's relationship with a black woman, who is now dead. Walter's father-in-law had warned him that the relationship would be harmful to his career, so he broke it off.

Walter attempts to help Roger by telling his wife Vivian (Saint James) that he wants to adopt him. She accepts, but soon regrets the decision and ends up kicking Walter out. Her father also fires him, taking his car and benefits in the process. Penniless, he and Roger check into a motel, and later move into an apartment. Walter ends up as a menial manual laborer, shovelling horse manure.

The final ten minutes makes the transition from comedy to drama, where Walter has to choose between either acceptance that Roger is his son, or alienation of Roger to salvage his own position in society.

Release Date: September 25, 1981 by Avco Embassy

Boxoffice: $9,566,593 2014: $27,392,100