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Caged Heat

Catalog Number
NH00134V
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VHS | N/A | Slipcase
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Caged Heat (1974)

Additional Information

Additional Information
Women's prison U.S.A. - Rape Riot and Revenge! White Hot Desires melting cold prison steel!

Considered the quintessential "girls in prison" flick of the 1970s, novice director Jonathan Demme's Caged Heat is set in a hellish American woman's penitentiary run by vicious, wheelchair-bound Barbara Steele. Statuesque convict Erica Gavin is forced to undergo horrible (but legal) tortures when she is falsely accused of trying to escape. Gavin and fellow con Juanita Brown decide to make a real break, but return to prison to rescue a friend who is about to be lobotomized by the sadistic prison doctor. Then they stage a robbery, only to find a group of male robbers at the bank ahead of them. A final shootout in the prison yards brings the film to a bloody climax. Caged Heat was also released under the title Renegade Girls.

Caged Heat (alternate title: Renegade Girls) is an exploitation film from 1974 of the "women-in-prison" film genre. It was written and directed by Jonathan Demme for New World Pictures, headed by Roger Corman. The film stars Juanita Brown, Roberta Collins, Erica Gavin, Ella Reid, Rainbeaux Smith, and Barbara Steele.

John Cale wrote and performed its soundtrack music, which features the guitar playing of Mike Bloomfield.

Two later features, Caged Heat II: Stripped of Freedom (1994) and Caged Heat 3000 (1995), made use of the Caged Heat name and the women-in-prison situation, but are unrelated films.

The film was Jonathan Demme's debut as a film director. Producer Roger Corman thought that the content of his company's previous "women in prison" films was inadequate, so he instructed Demme to create a screenplay that would bring something novel to this genre. However, Corman also wanted Caged Heat to retain most of the violence and nudity that audiences for this genre had come to expect.

Demme introduced new aspects to Caged Heat, including a satirical approach and making the sadistic warden female instead of male.[2] To a lesser degree, Demme also incorporated elements of liberal politics, feminism and social consciousness into his screenplay. Because of all these new elements introduced to the "women-in-prison" genre, and because of the film's status as Demme's first feature, some movie critics consider it to be more interesting than the run-of-the-mill, women-in-prison exploitation movie.[3]

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