There's no such thing as a perfect marriage.

A love story for guys who cheat on their wives.


In the Los Angeles of yoga, therapy, and well-off liberals, a divorcé decides that his ex-wife is the love of his life in Paul Mazursky's romantic comedy. Beverly Hills divorce lawyer Stephen Blume (George Segal) becomes his own client when his social worker wife Nina (Susan Anspach) throws him out for sleeping with his secretary. Only then does Blume realize that he can't live without Nina, even though she seems fine without him, and he has a new sex partner in divorcée Arlene (Marsha Mason). So what does he do to win Nina back? Befriend her laid-back musician beau, Elmo (Kris Kristofferson), show up at her house with breakfast bagels, eavesdrop on her therapy sessions, and forcibly impregnate her, of course. Banished to their former honeymoon site in Venice, Italy while Nina thinks things over, Blume reflects on his past and his obsession, as he dreamily hopes for the best. Cutting between Blume's musings on love and loss in Venice's Piazza San Marco and the events in L.A. that brought him there, Mazursky humorously yet sharply dissects the complications of marriage in the let-it-all-hang-out Me Decade of the 1970s. Blume and Nina face the same dilemma as the couples in Mazursky's 1969 hit Bob & Carol & Ted & Alice: how to mesh traditional vows with the new freedom and its temptations. In this case, it takes a divorce to convince the solipsistic Blume that the woman he wants most is his own wife. Considered by some critics one of the decade's best interrogations of contemporary coupledom, Blume in Love astutely captured the absurdity of Blume's self-involved romantic quest, while slyly celebrating the operatic spirit of love that drives him.


The movie was nominated for a Writers Guild of America (WGA) award in the category of "Best Comedy Written Directly for the Screen."
Roger Ebert in his June 18, 1973 review in the Chicago Sun-Times gave this film four stars on a scale of four. Vincent Canby of the New York Times described it on the same date as "a restless, appealing, sometimes highly comic contemporary memoir."
In an interview with Robert K. Elder for his book The Best Film You've Never Seen, director Neil LaBute explains his feelings on the film: “I was both intrigued and frustrated by what was happening. There’s this fractured telling of the story, several trips to Venice and the rest takes place in Venice, California. So, I think there was attraction to it by the frustration of it—like, ‘What’s happening here? What’s the story?


Release Date: June 17, 1973

Distrib: Warner Brthers