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As a lawyer all she wanted was the truth. As a daughter all she wanted was his innocence. How well do you really know your father?

Jessica Lange plays an attorney whose affable Hungarian-immigrant father Armin Mueller-Stahl is arrested. He is threatened with deportation for lying about his activities during World War II; part of the charge is that Mueller-Stahl was a Nazi collaborationist, guilty of wartime atrocities. Absolutely convinced that her father is being railroaded by a revenge-seeking Hungarian communist government, Lange handles Mueller-Stahl's defense, expertly blowing huge holes in prosecuting attorney Frederic Forrest's case. But in doing her own research, Lange discovers that her father has spent a lifetime paying off a blackmailer. Why? In contrast to the fervency of his earlier Z, Costa-Gavras refuses to make things easy by proselytizing in The Music Box (nor does screenwriter Joe Esterhas indulge in his usual right-between-the-eyes fervency). Everything in the film is offered on the same calm, collected level, making the ultimate horror of the story all the more effective

Music Box is a 1989 film that tells the story of a Hungarian-American immigrant who is accused of having been a war criminal. The plot revolves around his daughter, an attorney, who defends him, and her struggle to uncover the truth.
The movie was written by Joe Eszterhas and directed by Costa-Gavras. It stars Jessica Lange, Armin Mueller-Stahl, Frederic Forrest, Donald Moffat and Lukas Haas.
It is loosely based on the real life case of John Demjanjuk and, as well, on Joe Eszterhas' own life. Eszterhas learned at age 45 that his father, Count István Esterházy, had concealed his wartime involvement in Hungary's Fascist and militantly racist Arrow Cross Party. According to Eszterhas, his father, "organized book burnings and had cranked out the vilest anti-Semitic propaganda imaginable."[1]p.201 After this discovery, Eszterhas severed all contact with his father, never reconciling before István's death.

Roger Ebert of the Chicago Sun-Times gave the film a lukewarm two star review. Among his complaints were that the film was "not about guilt or innocence; it is a courtroom thriller, with all of the usual automatic devices like last-minute evidence and surprise witnesses" and that "Nazism is used only as a plot device, as a convenient way to make a man into a monster without having to spend much time convincing us of it." Foremost was his frustration that little attempt was made to understand Mike Laszlo, and that "the old man, who should be the central character if this movie took itself seriously, is only a pawn."[3]
Peter Travers of Rolling Stone was even more critical of the film, doubting it existed for any purpose other than to get Jessica Lange an Oscar nomination, bluntly stating "real-life tragedy has been used to hype cheap melodrama. It's more than offensive; it's vile."[4]
Caryn James of the New York Times applauded Jessica Lange's performance, but had to admit that "Ms. Lange comes as close to inventing a character out of thin air as any screen actor can. Nothing in Joe Eszterhas's overblown script or in Costa-Gavras's simplistic direction begins to support it. In the end, not even Ms. Lange's profuse energy and intelligence can redeem the film's unremitting shallowness and mediocrity." James ultimately felt that Music Box "finally tells us nothing about wronged innocence or monstrous evil."[5]
All three reviewers commented on the plot similarities between Music Box and Betrayed, the 1988 collaboration between writer Joe Eszterhas and director Costa-Gavras, with the replacement of white supremacists with war criminals and the same predictable formula.

Release Date: December 22,1989

Distrib: TriStar

Boxoffice: $6,263,883 2014: $12,371,700