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Plaza Suite
Catalog Number
8046
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Primary Distributor (If not listed, select "OTHER")
Catalog Number
8046
Primary Distributor (If not listed, select "OTHER")
Release Year
Country
N/A (NTSC)
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Plaza Suite (1971)
Additional Information
Additional Information
Book into Neil Simon's Hotel Suite for the time of your life
It is not uncommon for actors to double and triple in roles while appearing in the "omnibus" plays of Neil Simon. Plaza Suite was the first film version of a Simon play to carry over the multiple-role device to the screen. Walter Matthau appears in all three one-act playlets comprising Plaza Suite, with a different leading lady in each. First we see Matthau as the husband of Maureen Stapleton, nostalgically returning to the same hotel suite where they'd spent their honeymoon 24 years earlier. Times have changed, however, and the twosome spend more timing sniping at one another than pitching woo. The second vignette casts Matthau as an effusive movie producer (lavish toupee and all) who hopes to seduce his old sweetheart Barbara Harris. The third and best sequence finds Matthau and Lee Grant playing the parents of a bride who steadfastly refuses to leave her locked room to attend her own wedding.
Like the play, the film is divided into three acts, all set in Suite 719 of New York City's Plaza Hotel. The first focuses on not-so-blissfully wedded couple Sam and Karen Nash, who are revisiting their honeymoon suite in an attempt - by Karen - to bring the love back into their marriage. Her plan backfires and the two become embroiled in a heated argument about whether or not Sam is having an affair with his secretary Miss McCormack. Sam eventually walks out, allegedly to attend to urgent business, and Karen is left to reflect on how much things have changed since they were newlyweds.
The second act involves a meeting between Hollywood movie producer Jesse Kiplinger and his old flame, suburban housewife Muriel Tate. Muriel - aware of his reputation as a smooth-talking ladies' man - has come to the hotel for nothing more than a chat between old friends, promising herself she will not stay too long. Jesse, however, has other plans in mind and repeatedly attempts to seduce her.
The third act revolves around married couple Roy and Norma Hubley on the wedding day of their daughter Mimsey, who has locked herself in the suite's bathroom and stubbornly refuses to come out. The segment is filled with increasingly outrageous slapstick moments depicting her parents' frantic attempts to cajole her into attending her wedding while the gathered guests await the trio's arrival downstairs.
Release Date: May 12, 1971
Distrib: Paramount
It is not uncommon for actors to double and triple in roles while appearing in the "omnibus" plays of Neil Simon. Plaza Suite was the first film version of a Simon play to carry over the multiple-role device to the screen. Walter Matthau appears in all three one-act playlets comprising Plaza Suite, with a different leading lady in each. First we see Matthau as the husband of Maureen Stapleton, nostalgically returning to the same hotel suite where they'd spent their honeymoon 24 years earlier. Times have changed, however, and the twosome spend more timing sniping at one another than pitching woo. The second vignette casts Matthau as an effusive movie producer (lavish toupee and all) who hopes to seduce his old sweetheart Barbara Harris. The third and best sequence finds Matthau and Lee Grant playing the parents of a bride who steadfastly refuses to leave her locked room to attend her own wedding.
Like the play, the film is divided into three acts, all set in Suite 719 of New York City's Plaza Hotel. The first focuses on not-so-blissfully wedded couple Sam and Karen Nash, who are revisiting their honeymoon suite in an attempt - by Karen - to bring the love back into their marriage. Her plan backfires and the two become embroiled in a heated argument about whether or not Sam is having an affair with his secretary Miss McCormack. Sam eventually walks out, allegedly to attend to urgent business, and Karen is left to reflect on how much things have changed since they were newlyweds.
The second act involves a meeting between Hollywood movie producer Jesse Kiplinger and his old flame, suburban housewife Muriel Tate. Muriel - aware of his reputation as a smooth-talking ladies' man - has come to the hotel for nothing more than a chat between old friends, promising herself she will not stay too long. Jesse, however, has other plans in mind and repeatedly attempts to seduce her.
The third act revolves around married couple Roy and Norma Hubley on the wedding day of their daughter Mimsey, who has locked herself in the suite's bathroom and stubbornly refuses to come out. The segment is filled with increasingly outrageous slapstick moments depicting her parents' frantic attempts to cajole her into attending her wedding while the gathered guests await the trio's arrival downstairs.
Release Date: May 12, 1971
Distrib: Paramount
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