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In the Realm of the Senses

Catalog Number
FV-1005
-
Primary Distributor (If not listed, select "OTHER")
Release Year
Country
VHS | N/A | Slipcase
104 mins (NTSC)
N/A | N/A | English
720917010052 | N/A
Ai no Korîda (1977)

Additional Information

Additional Information
Based upon a true incident in 1930s Japan, Nagisa Oshima's controversial film effectively skirts the borderline between pornography and art -- making Bernardo Bertolucci's Last Tango in Paris of four years earlier look like children's programming in comparison. The story concerns servant and former prostitute Sada Abe (Eiko Matsuda) who becomes sexually obsessed with her employer Kizicho (Tatsuya Fuji), a businessman, after seeing him making love to his wife. After making love to Sada, Kizicho becomes obsessed with her as well. As their love-making becomes more and more intense, they find themselves unable to separate themselves from each other, until every waking hour is spent in more and more dangerous sexual acts with Sada becoming more and more of the aggressor. Finally, for the ultimate in eroticism, Kizicho agrees to be strangled during sexual ecstasy for the ultimate in orgasmic fulfillment.

n the Realm of the Senses (French: L’Empire des sens} is a 1976 French-Japanese art film directed by Nagisa Oshima.[1][2] It is a fictionalised and sexually explicit treatment of an incident from 1930s Japan, that of Sada Abe.[3] It generated great controversy during its release;[3] while intended for mainstream wide release, it contains scenes of unsimulated sexual activity between the actors (Tatsuya Fuji and Eiko Matsuda, among others).

In 1936 Tokyo, Sada Abe (Eiko Matsuda) is a former prostitute who now works as a maid in a hotel. The hotel's owner, Kichizo Ishida (Tatsuya Fuji), molests her, and the two begin an intense affair that consists of sexual experiments and various self-indulgences. Ishida leaves his wife to pursue his affair with Sada. Sada becomes increasingly possessive and jealous of Ishida, and Ishida more eager to please her. Their mutual obsession escalates to the point where Ishida finds she is most excited by strangling him during lovemaking, and he is killed in this fashion. Sada then severs his penis and writes, "Sada Kichi the two of us forever," in blood on his chest.

Strict censorship laws in Japan would not have allowed the film to be made according to Oshima's vision.[3] This obstruction was bypassed by officially listing the production as a French enterprise, and the undeveloped footage was shipped to France for processing and editing. At its première in Japan, the sexual activity was optically censored using reframing and blurring.

In the United States, the film was initially banned upon its première at the 1976 New York Film Festival, but later screened uncut, and a similar fate awaited the film when it was released in Germany. The film was not available on home video until 1990 although it was sometimes seen uncut in film clubs.

At the time of its initial screening at the 1976 London Film Festival, the British Board of Film Censors recommended it be shown under private cinema club conditions to avoid the need for heavy cuts to be made, but only after the Obscene Publications Act had been extended to films (in 1977) to avoid potential legal problems.[5] The film opened at the Gate Cinema Club in 1978. It was given an official countrywide cinema release in 1991, though the video release was delayed until 2000 when it was passed with an "18" certificate (suitable for adults only), leaving all of the adult sexual activity intact, but reframing a shot where Sada yanks the penis of a prepubescent boy after he misbehaves. The scene was zoomed in so just the reaction of the boy is shown.[6] The cut was eventually waived in 2011.[5] The film is available in uncut form in France, the United States (including the The Criterion Collection), the Netherlands, Belgium and several other territories.[citation needed]

In Canada, when originally submitted to the provincial film boards in the 1970s, the film was rejected in all jurisdictions except Quebec. It was not until 1991 that individual provinces approved the film and gave it a certificate. However, in the Maritimes the film was rejected again as the policies followed in the 1970s were still enforced.

Due to its sexual themes and explicit scenes, the film was cause of great controversy in Portugal after it was aired on RTP. Some deemed it inappropriate even for the watershed slot, and some even appreciated its airing, like the priest who was Archbishop of Braga D. Eurico Dias Nogueira who said he 'had learned more in 10 minutes of the film than in his entire life'. The film was aired again in RTP2, but was almost not noticed.[7]

Release Date: August 3, 1977 from Cinema V

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