An Epic of the Air

Daring danger and destruction. Scouring the skies for enemy planes. Soaring to the clouds in a flimsy machine. And yet, like a charm, her love kept this "Shooting Star." Carried him through the terrific dangers. Brought him back to earth. Spirited, striving, spectacular. A story of the American war "Aces" in France.
The Sensational Romance of the War Fliers!

Youth, hitting the clouds! Laughing at danger! Fighting, loving, dodging death! That's "WINGS"

The Drama of the Skies

The war in the air from both sides of the lines

Wings, the first feature film to win an Academy Award, tends to disappoint a little when seen today. Too much time is afforded the wheezy old plotline about two World War I aviators (Buddy Rogers, Richard Arlen) in love with the same woman (Jobyna Ralston), while the comedy relief of El Brendel is decidedly not to everyone's taste. But during the aerial "dogfight" sequences, the film is something else again: a grand-scale spectacular, the likes of which has never been duplicated, not even by more expensive efforts like Hell's Angels (1930) and The Blue Max (1965). Twenty-eight-year-old director William Wellman, himself a wartime aviator, was fortunate enough to have the full cooperation of the US War department at his disposal (even though his legendary temper nearly lost him that cooperation on more than one occasion!) Brilliantly handled though the aerial scenes may be, they are matched by the Earthbound combat sequences, including the now-famous shot of a long trench caving in on hundreds of unfortunate doughboys. The storyline is as follows: Jack Powell (Rogers) and David Armstrong (${Powell}) hate each other during basic training, grow to like each other, and fall out again while competing for the affections of Sylvia Lewis (Ralston). Mary Preston (Clara Bow) sacrifices her own nursing career to save a drunken Powell from disgrace, Powell goes on a rampage when he believes his pal Armstrong has been killed, inadvertently shoots down Armstrong while decimating the German air corps, and is finally reunited with the nurse. Wrapped up in nurse's garb throughout most of the film, the ebullient Clara Bow is permitted a sequence in which, disguised as a Parisian floozie while trying to rescue a revelling Rogers, she displays a great deal of epidermis. One of the film's chief claims to fame is its "introduction" of Gary Cooper (who'd actually been in films since the early 1920s), in a brief but crucial role as veteran flyer with a cheerily fatalistic attitude. When originally released, Wings included a sequence lensed in the wide-screen "Magnascope" process; even when seen "flat", however, the film contains some of the best flying sequences ever captured on celluloid.

Wings is a 1927 American silent film set during the First World War produced by Lucien Hubbard, directed by William A. Wellman and released by Paramount Pictures. It stars Clara Bow, Charles "Buddy" Rogers, and Richard Arlen, and Gary Cooper appears in a role which helped launch his career in Hollywood.

The film, a romantic action-war picture, was rewritten by scriptwriters Hope Loring and Louis D. Lighton from a story by John Monk Saunders to accommodate Clara Bow, Paramount's biggest star at the time. Wellman was hired as he was the only director in Hollywood at the time who had World War I combat pilot experience, although Richard Arlen and John Monk Saunders had also served in the war as military aviators. The film was shot on location on a budget of $2 million at Kelly Field in San Antonio, Texas between September 7, 1926 and April 7, 1927. Hundreds of extras and some 300 pilots were involved in the filming, including pilots and planes of the United States Army Air Corps which were brought in for the filming and to provide assistance and supervision. Wellman extensively rehearsed the scenes for the Battle of Saint-Mihiel over ten days with some 3500 infantrymen on a battlefield made for the production on location. Although the cast and crew had much spare time during the filming due to weather delays, shooting conditions were intense, and Wellman frequently conflicted with the military officers brought in to supervise the picture.

Acclaimed for its technical prowess and realism upon release, the film became the yardstick for which future aviation films were measured against, due mainly to its realistic air combat sequences. It went on to win the first Academy Award for Best Picture at the first annual Academy of Motion Picture Arts and Sciences award ceremony in 1929, the only silent film to do so.[b] It also won the Academy Award for Best Engineering Effects (Roy Pomeroy). Wings was one of the first to show two men kissing (in a fraternal moment between Rogers and Arlen during the deathbed finale), and also one of the first widely released films to show nudity. In 1997, Wings was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", and the film was re-released to Cinemark theaters to coincide with the 85th Anniversary for a limited run in May 2012.

Jack Powell and David Armstrong are rivals in the same small American town, both vying for the attentions of pretty Sylvia Lewis. Jack fails to realize that "the girl next door", Mary Preston, is desperately in love with him. The two young men both enlist to become combat pilots in the Air Service. When they leave for training camp, Jack mistakenly believes Sylvia prefers him. She actually prefers David and lets him know about her feelings, but is too kindhearted to turn down Jack's affection.

Jack and David are billeted together. Their tent mate is Cadet White, but their acquaintance is all too brief; White is killed in an air crash the same day. Undaunted, the two men endure a rigorous training period, where they go from being enemies to best friends. Upon graduating, they are shipped off to France to fight the Germans.

Mary joins the war effort by becoming an ambulance driver. She later learns of Jack's reputation as the ace known as "The Shooting Star" and encounters him while on leave in Paris. She finds him, but he is too drunk to recognize her. She puts him to bed, but when two military police barge in while she is innocently changing from a borrowed dress back into her uniform in the same room, she is forced to resign and return to America.



Richard Arlen in Wings
The climax of the story comes with the epic Battle of Saint-Mihiel. David is shot down and presumed dead. However, he survives the crash landing, steals a German biplane, and heads for the Allied lines. By a tragic stroke of bad luck, Jack spots the enemy aircraft and, bent on avenging his friend, begins an attack. He is successful in downing the aircraft and lands to retrieve a souvenir of his victory. The owner of the land where David's aircraft crashed urges Jack to come to the dying man's side. He agrees and becomes distraught when he realizes what he has done. David consoles him and before he dies, forgives his comrade.

At the war's end, Jack returns home to a hero's welcome. He visits David's grieving parents to return his friend's effects. During the visit he begs their forgiveness for causing David's death. Mrs. Armstrong says it is not Jack who is responsible for her son's death, but the war. Then, Jack is reunited with Mary and realizes he loves her.