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Sphinx

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22015
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Sphinx (1981)

Additional Information

Additional Information
Beyond the sealed door was the last undiscovered treasure in Egypt - And it's all hers - IF SHE CAN GET OUT ALIVE.

Someone is hunting tourists out of season.


After a string of hits that included Planet of the Apes (1968), Patton (1970), Papillon (1973), and The Boys from Brazil (1978), director Franklin J. Schaffner stumbled badly with this expensive wannabe cousin to Raiders of the Lost Ark (1981). Based on a novel by author Robin Cook, this romance-adventure stars Lesley-Anne Down as Erica Baron, a female archaeologist who is searching for a lost Egyptian tomb, hoping that she will be responsible for the next discovery along the lines of King Tut's Tomb. Erica witnesses the murder of a native, Abdu Hamdi (John Gielgud doing his best Alec Guinness impersonation) and when she attempts to solve the crime, she becomes the target of a campaign to kill her using a variety of creative methods, including bats and entombment. In the course of her adventures, Erica also falls in love with a handsome Egyptologist, Ahmed Khazzan (Frank Langella). Sphinx (1981) was a box office disaster from which Schaffner never recovered, directing only three more pictures.


Vincent Canby of the New York Times said the film "never stops talking and never does it make a bit of sense. It's unhinged. If it were a person, and you were trying to be nice, you might say it wasn't itself." He continued, "Mr. Schaffner and Mr. Byrum have effectively demolished what could have possibly been a decently absurd archeological-adventure film. The locations . . . are so badly and tackily used that the movie could have been shot more economically in Queens . . . The performers are terrible, none more so than Mr. Langella, who is supposed to be mysterious and romantic but behaves with all of the charm of a room clerk at the Nile Hilton." In conclusion, he called the film "total, absolute, utter confusion." [1]
Variety described the film as a contemporary version of The Perils of Pauline and called it "an embarrassment," adding "Franklin J. Schaffner's steady and sober style is helpless in the face of the mounting implausibilities." [2]
Time Out New York thought the film made "striking use of locations" but criticized the "lousy script, uneasy heroine, and weak material." It called it a "clear case of a lame project that only a best selling (ie. heavily pre-sold) novel could have financed" and warned audiences to "avoid" it

Release Date: February 11, 1981

Distrib: Warner Brothers


Boxoffice: $2,022,771 2013: $5,937,300

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